Nano Banana prompts

A bold Swiss-style poster for a fictional electronic music festival. Large geometric sans-serif headline reading "NORTHERN SIGNAL", and below it the date "11.14". A dramatic abstract aurora-like gradient form sweeping across the composition, grainy risograph print texture, deep navy, electric green and warm orange, strict typographic grid, generous margins, printed on matte paper, award-winning graphic design

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Theatrical key-art poster for an invented film titled NORTHBOUND. The girl and the old man from the reference images ride a red motorbike, tiny, across a vast frozen white steppe at dusk, a thin electric violet streak crossing the huge sky above them. Typography: NORTHBOUND large in a wide, spaced, extended sans serif in white near the top; below it, small: "Something fell. They went to find it."; at the bottom: "IN CINEMAS JANUARY 2027". Film grain, generous negative space. No other text.

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Fragrance campaign poster for an invented perfume called MIRRA: the woman from the first reference image in the cobalt silk suit holds the amber bottle from the second reference image against her cheek, eyes closed, on a hot-pink set with a saffron shadow. Typography: MIRRA in a high-contrast didone serif, huge across the top in cobalt blue; "Eau de parfum" small beneath it. No other text.

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Single cover artwork for an invented Afro-house track called 5 DA MANHÃ by the artist BANDEIRA: the dancer from the reference image mid-spin under a sodium streetlight on a wet Lisbon street, red-and-cream windbreaker flaring, shot on 35mm with direct flash. Typography: BANDEIRA in tall condensed red letters across the top; 5 DA MANHÃ small in white at the bottom left. Grain, flash glare, a real night photograph. No other text.

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Cover of an invented running magazine called STRIDE. Cover photograph: a 72-year-old Sikh man, a retired marathon runner, lean and wiry, a long white beard tied neatly, a saffron turban, a sweat-darkened navy running vest, laughing mid-stride in the early morning on the misty Sukhna Lake promenade in Chandigarh, soft cool light, shallow focus. Layout: the masthead STRIDE in a huge heavy serif across the top, partly behind his turban; cover lines down the left side in a clean sans serif: "Never Too Late: Running at 72", "The Monsoon Training Plan", "14 Shoes, Tested"; a small barcode in the bottom corner. Palette: saffron, navy, misty teal. Real magazine print layout, real skin and beard texture.

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Premium packaging design photographed in a studio: a matte cylindrical tea tin and a slim folding carton for a fictional tea brand called "KUMO", minimal Japanese-inspired label with a single line-drawn cloud, sage green and warm cream with a thin copper foil line, arranged on a pale travertine stone surface with soft morning window light and gentle shadows, a few loose tea leaves, high-end commercial product photography

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Brand identity mockup flat lay: the logo of a fictional artisan bakery called "ORIEL" - an elegant serif wordmark with a small wheat-sheaf monogram - blind-embossed and gold-foil stamped on heavy cream letterpress business cards, a kraft paper bag with the same logo, a wax-sealed envelope and a sprig of dried wheat, on warm linen, soft natural daylight from the side, crisp realistic shadows, premium branding presentation

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Macro product photograph: the amber perfume bottle from the reference image, the same faceted amber glass and brushed-brass cap, on a hot-pink lacquered plinth against a cobalt backdrop, a single drop of perfume running down one facet, hard light throwing amber caustics across the plinth. No readable text, no logos. Fragrance commercial look: colour-blocked studio sets in hot pink, cobalt and saffron, hard strobe with crisp shadows, macro precision, fine grain.

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Macro shot: the amber perfume bottle from the reference image standing on a cobalt glass surface, plumes of amber and hot-pink ink-like smoke blooming around it, strong backlight. No readable text, no logos. Fragrance commercial look: colour-blocked studio sets in hot pink, cobalt and saffron, hard strobe with crisp shadows, macro precision, fine grain.

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High-fashion editorial photograph, full length: a striking model with short cropped dark hair wearing a sculptural oversized cobalt blue wool coat with dramatic architectural volume, standing in a brutalist raw concrete courtyard, hard editorial daylight casting crisp geometric shadows, minimal composition, saturated cobalt against warm grey concrete, medium format film, luxury fashion magazine quality, no text, no logos

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Editorial fashion film still, vertical, shot on 35mm with crisp grain. The concrete spiral ramp of an old multi-storey car park in Euljiro, Seoul, at noon: raw grey concrete, a single column painted safety orange, a hard shaft of sunlight cutting diagonally across the ramp. A Korean model in their late twenties, very tall and angular, androgynous, bleached platinum buzz cut, dark eyebrows, a few faint acne scars on the cheeks, one silver ear cuff, in an oversized boxy suit of lilac wool with wide trousers that pool over white leather loafers and a white ribbed tank underneath, walks up the ramp toward the camera mid-stride, jacket swinging open, chin down, unsmiling and intense. Shot low on a 24mm lens, the model off-centre to the left, deep focus. Palette: lilac, concrete grey, one hit of safety orange, white. Hard midday light, crisp shadows, dust in the light shaft. No text, no logos.

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Extreme close-up, 85mm anamorphic: the face of the girl from the reference image, the same scar through her eyebrow and fur hat, lit from below by pulsing electric violet light, frost on her eyelashes, breath steaming, eyes wide with a violet glow reflected in them; dark background. No readable text, no logos. Shot on 35mm anamorphic, ice fog, fine grain. Palette: ice white, felt brown, deel red and one electric violet. Cold overcast or blue-hour light.

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Medium shot, 50mm anamorphic, blue hour, outside a white ger: the old man from the reference image, in the same sky-blue deel, orange sash and fox-fur hat, steps out of the ger door, breath steaming in the cold, and raises old binoculars toward the sky, warm stove light glowing behind him. No readable text, no logos. Shot on 35mm anamorphic, ice fog, fine grain. Palette: ice white, felt brown, deel red and one electric violet. Cold overcast or blue-hour light.

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Vertical candid family photograph, 35mm lens, handheld at a child's eye level, night. A cramped apartment kitchen in Achrafieh, Beirut: pistachio-green tiles, a fridge covered in magnets and photos, a fluorescent tube and the warm light of birthday candles. A 5-year-old Lebanese boy with wild curly hair and a lopsided paper crown leans over a homemade, slightly collapsing chocolate cake with five candles, cheeks puffed, about to blow. His grandmother, 78, dyed auburn hair in a bun, huge tortoiseshell glasses, a leopard-print blouse and gold bangles, leans in beside him laughing with a hand ready to shield the cake. Relatives crowd behind holding up phones, blurred. Palette: candle gold, pistachio green, leopard brown. Real skin, crumbs, a sticky table. No readable text, no logos.

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Travel photograph, 16mm wide lens from inside the corner of a hot-air balloon basket, sunrise. Below, the valleys and cream rock fairy chimneys of Göreme, Cappadocia, and dozens of other balloons drifting in apricot haze. In the basket, a Turkish balloon pilot, 61, grey moustache, aviator sunglasses pushed up, a fleece jacket, pulls the burner valve and a tongue of orange flame roars overhead. Beside him a Japanese couple in their seventies, the husband in a bucket hat, the wife in a lilac windbreaker, hold hands at the wicker edge, her mouth open in delight. Palette: apricot, flame orange, cream rock, multicoloured balloons. Wicker texture, heat shimmer, sun flare. No readable text, no logos.

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Beauty campaign photograph, 50mm lens, frontal and symmetrical, crisp strobe light with hard shadows. A hot-pink seamless studio set with three plinths of different heights. Three women in sharp monochrome suits pose on them, each holding an unbranded gold lipstick bullet: on the left a 58-year-old Black woman with a silver buzz cut in a cobalt-blue suit; in the centre a 24-year-old Vietnamese woman with a blunt black bob in a mustard-yellow suit; on the right a 41-year-old Indian woman with long dark curly hair in a tangerine suit. All three wear the same deep red lipstick, expressions cool and confident, not smiling. Palette: hot pink, cobalt, mustard, tangerine, red. Real skin texture with pores, fabric creases. No readable text, no logos.

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A frame from a feature-quality 3D animated film: stylized characters with soft sculpted shapes and rich textures. The round lamp room at the top of a Scottish lighthouse during a night storm: rain streaming down curved windows, lightning over a black sea, a giant brass-and-glass Fresnel lens glowing gold in the centre. A tiny 80-year-old lighthouse keeper with wild white hair, enormous round spectacles, a hand-knitted mustard jumper with patched elbows and green wellies stands on a wooden stool polishing the huge lens with a rag, tongue poking out in concentration. Palette: lamp gold, storm indigo, mustard. Warm cinematic lighting, subsurface skin, knitted wool detail. No readable text, no logos.

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A tall vertical frame from a hand-painted 2D Chinese ink-wash animation on rice paper, composed like a hanging scroll: expressive black ink brushstrokes, soft grey washes, paper grain, a small vermilion seal stamp in a corner with no readable characters. The Li River near Xingping at dawn: tall karst peaks dissolving into mist, still water. A small bamboo raft in the lower third with an old fisherman in a conical bamboo hat and a grey jacket holding a long pole, a paper lantern hanging from a pole, and two black cormorants perched on the raft. Palette: ink black, rice-paper cream, vermilion. Vast negative space.

$0.1907 for a 2K image on Nano Banana Pro