FLUX.3 APIBlack Forest Labs' model, through Leap

“Theatrical key-art poster for an invented Nordic thriller titled SALT LINE. A lone woman in her fifties, Faroese, weathered face with windburned cheeks and pale eyes, grey-blond hair whipped by the wind, in a bright yellow oilskin fishing jacket, stands on a black basalt sea wall in the Faroe Islands as a storm wave explodes white behind her; she is small against the sea, and the turf-roofed houses of a cliff village sit high behind her. Desaturated slate blue and black, with the yellow jacket as the only colour. Typography: the title SALT LINE huge in a tall, condensed, bold sans serif in white across the upper third, tightly set; at the bottom the tagline "The sea keeps what it takes." and below it, small, "IN CINEMAS THIS NOVEMBER". Film grain, offset print texture, a real one-sheet composition with generous negative space. No other text.”

“Car commercial frame, aerial drone shot, early morning. The switchback road of the Passo Giau in the Italian Dolomites: grey limestone walls, larch trees turned gold, a sea of low cloud filling the valley below, first sun striking the peaks pink. A compact 1970s-inspired wedge-shaped two-door coupe in deep mustard yellow, with no badges and no logos, black steel wheels and pop-up headlights, exits a hairpin bend, its long morning shadow stretching across the asphalt. Shot from a drone thirty metres up and slightly behind, telephoto compression, the car small in the lower third of the frame. Palette: mustard yellow, limestone grey, larch gold, cold blue shadow. Kodak Portra 400 colour, fine grain. No readable text, no number plate.”